{"id":120,"date":"2023-04-02T21:50:16","date_gmt":"2023-04-02T19:50:16","guid":{"rendered":"https:\/\/reemyassouf.com\/?page_id=120"},"modified":"2024-05-29T00:10:47","modified_gmt":"2024-05-28T22:10:47","slug":"expirez-et-inspirez","status":"publish","type":"post","link":"https:\/\/reemyassouf.com\/?p=120","title":{"rendered":"Expirez et Inspirez “mixed media 2020”"},"content":{"rendered":"\n
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EN:<\/p>\n\n\n\n

Exhalation and Deep Inhalation is here a kind of liberation: the nature of us, within a void composed of layers, carries the details of the feelings of chaos between two layers, where chaos is intertwined between light and shadow with the sound of nature’s cries,
The work symbolizes the continuous cycle of inhalation and exhalation around the hour, a constant struggle between gravity and lightness, between silence and noise, as if the perspective of beginning and end is repeated every day.
His main technical axis is the movement of the colour and the abstract line within the limits of the work plane, between fading and clarity, she introduces problems of forming the logic of the eye (do we trust what we are between fading and clarity, it introduces problems of forming the logic of the eye (do we trust what we are seeing?) through the movement that gives the viewer the feeling that details suddenly fall away or stop in the middle of a quick moment.
Working from one painting (different materials on the canvas) and another of metal mesh and small distance between two layers,
This transformed the image and made it blurred. The artwork can be seen from different angles, which leaves us free to choose the angle from which we will discover the work.<\/p>\n\n\n\n

FR:<\/p>\n\n\n\n

Expiration et L\u2019inhalation profonde est ici une sorte de lib\u00e9ration : la nature de nous, \u00e0 l\u2019int\u00e9rieur d\u2019un vide compos\u00e9 de couches, porte les d\u00e9tails des sentiments de chaos entre deux couches, o\u00f9 le chaos est entrelac\u00e9 entre la lumi\u00e8re et l\u2019ombre avec le son des cris de la nature,
L\u2019\u0153uvre symbolise le cycle continu d\u2019inspiration et d\u2019expiration autour de l\u2019heure, une lutte permanente entre la gravit\u00e9 et la l\u00e9g\u00e8ret\u00e9, entre le silence et le bruit, comme si la perspective du d\u00e9but et de la fin se r\u00e9p\u00e9tait chaque jour. Son principal axe technique est le mouvement de la couleur et la ligne abstraite dans les limites du plan de l\u2019\u0153uvre,
Entre l\u2019\u00e9vanouissement et la clart\u00e9, elle introduit des probl\u00e8mes de formation de la logique de l\u2019\u0153il (faisons-nous confiance \u00e0 ce que nous sommes voir ?) \u00e0 travers le mouvement qui donne au spectateur le sentiment que des d\u00e9tails tombent ou s\u2019arr\u00eatent soudainement au milieu d\u2019un moment rapide.
Travailler \u00e0 partir d\u2019un tableau (diff\u00e9rents mat\u00e9riaux sur la toile) et d\u2019un autre de filet de m\u00e9tal et de petite distance entre deux couches, cela a transform\u00e9 l\u2019image et l\u2019a rendue floue. L\u2019\u0153uvre d\u2019art peut \u00eatre vue sous diff\u00e9rents angles, ce qui nous laisse libre de choisir l\u2019angle sous lequel nous allons d\u00e9couvrir l\u2019\u0153uvre.<\/p>\n\n\n\n

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